Netochka Nezvanova & Eliane Radigue | In Spirit
https://schurer.bandcamp.com/album/as-if
https://heterophenomenological.net/blog/hell2.html
https://schurer.bandcamp.com/album/cosine-differential
the full CT soon to be released in 2023.
Meanwhile here’s to some parts:
https://schurer.bandcamp.com/album/contingency-test-constructive-parts
Studies according to Bregman´s Auditory Scene Analysis.
#computermusic #berndschurer
[release] TAGE OHNE STUNDEN
#nothingness242
*/Schurer
Formales Gewissen
Adressen unmöglicher Orte
Tage ohne Stunden
3 sountracks
was performed by Bo Wiget on Cello. Re-Synthesis on Computer by Bernd Schurer.
was performed by Iva Sanjek on Ondes Martenot and Spring Reverb. Composed and assembled on Computer by Bernd Schurer.
was performed by Iva Sanjek on Ondes Martenot. Granular Re-Synthesis and algorithmic composition by Bernd Schurer.
Composed for Installation works by and for Yves Netzhammer, 2013, 2014, 2015.
Nothing is lost, all is found.
Published November 2022.
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[0] []
https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1164161884&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true N.N. · Changes#nothing No.20
Atomistic – Performance
Elisa Storelli & Constantin Engelmann
Die audiovisuelle Performance der Tessiner Künstlerin Elisa Storelli dreht sich um Zeit und die Möglichkeiten ihrer Darstellung. Darin treten ihre zwei Werke “Time Piece” und “Neocortex” in einen Dialog.
Debris Redux (ANOTHER AUTOMATIC READING) (1997-2018)
Computer Music Performance von Bernd Schurer
Ein klangkünstlerisches Forschungsprojekt – Daten Sonifikation und Komposition zu Okumolotorik und spezifischen Varianten des Lesens unter Verwendung eines dafür komponierten Librettos, elektronischer Klangsynthese und Mehrkanal-Raumdiffusion.
Für Computer, Eye-Tracker, Performer(in) und Mehrkanal-Audiosystem
http://www.walcheturm.ch
Mittwoch, 27.9.2017, bis Freitag, 29.9.2017 (10 – 18 Uhr)
Samstag, 30.9.2017 (14 Uhr)
Im Fokus des viertägigen Workshops stehen die Möglichkeiten, welche die Programmiersprache SuperCollider für netzwerkbasierte gemeinsame Musikperformances bietet. Öffentliches Abschlusskonzert am Samstag, 30.9., 14 Uhr. Gäste, die sich in das Netzwerk einklinken wollen, sind herzlich willkommen!
Dozenten: Alberto de Campo, Fredrik Olofsson, Hannes Hoelzl, Alexandra Cardenas
Concert participation on 30.9.17 – 14h
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http://www.adk.de/de/projekte/2017/kontakte17/workshop.htm
xCoAx is an exploration of the intersection where computational tools and media meet art and culture, in the form of a multi-disciplinary enquiry on aesthetics, computation, communication and the elusive X factor that connects them all.
Since 2013, xCoAx has been an occasion for international audiences to meet and exchange ideas, in search of interdisciplinary synergies among computer scientists, artists, media practitioners and theoreticians at the threshold of digital arts and culture.
The focus is on the unpredictable overlaps between the chaos and freedom of creativity and the rules and determinism of algorithms, between human nature and machine technology, with the aim to evolve towards new directions in aesthetics.
In 2017 xCoAx will take place for the first time in Lisbon, in and around the Faculty of Fine Arts, right in the heart of the city center in Chiado.
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During reading, we rapidly construct meaning from sequences of rather cryptic symbols. A multitude of processes are involved in making meaning happen, however, most of them are conveniently tucked away from the reader’s conscious experience allowing them to read effortlessly without having to worry about any of the practicalities such as where to place the gaze next and for how long. The present work reflects on the marvelous feat that is reading. In an experiment-like situation, we create a perceptual short-circuit that unlocks the otherwise unconcsious processes involved in reading. To this end, the test subject is exposed to a written libretto while a computer tracks their eye movements and translates them to sound in real time. The artistic implementation is based on parametric synthesis (“mapping”) and model-based sonification.
Supported by Pro Helvetia — Swiss Arts Council
https://schurer.bandcamp.com/album/automatic-reading-obfuscation
<iframe style=”border: 0; width: 100%; height: 42px;” src=”https://bandcamp.com/EmbeddedPlayer/album=2925610535/size=small/bgcol=333333/linkcol=0f91ff/transparent=true/” seamless><a href=”http://schurer.bandcamp.com/album/automatic-reading-obfuscation”>Automatic Reading (Obfuscation) by Bernd Schurer | N.N.</a></iframe>
Schurer Blind Material
Blind Material (obfuscation) 2:15 Fuzzy Arc 1 8:42 Complicity with Contingency 6:14 Soliloquy Synthesis 32:08 Befall 2:49 Fuzzy Arc 2 10:31
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A reconfiguration of electronic sound-pieces composed in 2008 by Bernd Schurer.
Scatter resynthesis algorithm by Alberto de Campo. Reconfiguration algorithm based on H.A.R.I.N.G. classes for SuperCollider by Darien Brito.
Direct to disk re-recordings.
Published 2016 by domizil.
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From “Fuzzy Arc (Coda)” EP – Movement 01-04 – a bonus download EP that came with the “parallax” CD (domizil 27) – 2008.
These sound- pieces explore granular and dynamic stochastic synthesis processes influenced by a neural network algorithm (ctrnn) to create similar auditory events to those informed by the composer. The pieces are all recorded live.
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A week-long festival dedicated to the SuperCollider audio programming environment.
London.uk(); April(12- 19).(2012)
http://www.sc2012.org.uk/
Bernd Schurer will present SI (O) at SC.exhibition, Mile Art Pavilion. Details soon.
(update:…had to cancel, broke a leg…)
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