heterophenomenological

New release on domizil:

“If this music can be narrated, it resonates in the narrative. At least it has changed me physically, this narrated music. It modulates my waves, my relationship to the wind, to the medium of music. And if that is not proof for you, please. Then why should I help you any further? After all, I have other things to do.
The wind has infected me. I have to devote myself to it.”

credits

released February 23, 2025

All music by Bernd Schurer.
Published by domizil 2025.
Text: Tim Zulauf

https://bandcamp.com/EmbeddedPlayer/album=3709038137/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/campaign=computer-music

#berndschurer #lacaniansieve #computermusic #domizilrecords #psychoanalytic #jaqueslacan #thesubject #iannisxenakis #sieves #mathematics #complexitiex #theimaginary #thesymbolic #thereal

#schurer #computermusic #light #electronic

A

https://bandcamp.com/EmbeddedPlayer/album=3273267000/size=small/bgcol=ffffff/linkcol=0687f5/transparent=true

janus monologe

–https://bandcamp.com/EmbeddedPlayer/album=484046215/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/

https://bandcamp.com/EmbeddedPlayer/album=1390540253/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true

[mysteria] The tangent circle plus gendyN VII

https://heterophenomenological.net/blog/hell2.html

https://schurer.bandcamp.com/album/cosine-differential

https://schurer.bandcamp.com/album/jouissance

the full CT soon to be released in 2023.

Meanwhile here’s to some parts:

https://schurer.bandcamp.com/album/contingency-test-constructive-parts

Studies according to Bregman´s Auditory Scene Analysis.

#computermusic #berndschurer

https://schurer.bandcamp.com/album/ephemeral?fbclid=IwAR0sqtw9igXQXvFDK17bkjCecHYE_RVLk9ROdKit__8bjekMnN5jRDgmJTY

For eight computer- controlled solenoids, medical tuning forks and eight digitally controlled sine-wave- oscillators. Made with SuperCollider. Also, worship The Glitch.

https://schurer.bandcamp.com/album/ina

[release] TAGE OHNE STUNDEN

https://schurer.bandcamp.com/album/tage-ohne-stunden-formales-gewissen-adressen-unm-glicher-orte?fbclid=IwAR1WMehQtWuhOM0YX_VZynOh7lKElKkNozwWA_4EeQkaJkAksPstD7jEhck

#nothingness242

*/

Schurer

Formales Gewissen
Adressen unmöglicher Orte
Tage ohne Stunden

3 sountracks

was performed by Bo Wiget on Cello. Re-Synthesis on Computer by Bernd Schurer.

was performed by Iva Sanjek on Ondes Martenot and Spring Reverb. Composed and assembled on Computer by Bernd Schurer.

was performed by Iva Sanjek on Ondes Martenot. Granular Re-Synthesis and algorithmic composition by Bernd Schurer.

Composed for Installation works by and for Yves Netzhammer, 2013, 2014, 2015.

Nothing is lost, all is found.

Published November 2022.

*/

Will try to present “Lautaggregat Redux (Texture AI Version 2022)” at this fine little Festival in Frankfurt:SKOP-Festival • Computer-Musik IVhttps://www.skop-ffm.deFor CFC and TW.

*/

#computermusic

https://kunstfestspiele.de/programm/veranstaltungen.html?fbclid=IwAR0wnB0DLUrrem7LePVvezDnx-gwV_DsFvZG3hqrTNd_QbnMhLST9Tv2OrI#./programm/veranstaltungen/details/fugenpark.html

[0] []

https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1164161884&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true N.N. · Changes#nothing No.20

[release]

https://bandcamp.com/EmbeddedPlayer/album=2931232550/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/

Pulsar​.​scramble vol. 3

https://bandcamp.com/EmbeddedPlayer/album=2931232550/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/

by $ pwgen 20

h

https://bandcamp.com/EmbeddedPlayer/album=2931232550/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/

bernd schurer enunciation
domizil 49, 2020
online release

Bernd Schurer’s seventh release on domizil consists of a single piece, which has a duration of just over an hour. The work was composed with SuperCollider and a Nord Modular G1 synthesizer. It is based on recordings of a pentatonic sound and some pizzicati, played on a cello by Tom Withall. The result is a calm ocean of sound, which spreads out over larger time intervals and which is at times dynamized by a few turbulences, where the sound material folds and new, ephemeral figures appear – like paper ships in the swell of an unknown water.

Online release – available on your preferred streaming platform: Spotify, Apple Music, iTunes, TikTok/Resso, Google Play/YouTube, Amazon, Pandora, Deezer, Tidal, Napster, iHeartRadio, ClaroMusica, Saavn, Anghami, KKBox, MediaNet and others.

Listen to an excerpt

object and photo by Rachel Buehlmann

http://www.domizil.ch/artistsreleases.html

#schurer #enunciation

MARATHON DES ZELLULOIDS

10. IOIC Stummfilm-Festival mit Live-Vertonungen
Kunstraum Walcheturm | Kanonengasse 20 | Zürich
5. – 8. Dezember 2019

Programm als PDF:
https://ioic.ch/event/514

„In ein paar Jahren wird es ein Luxus sein, auf Zelluloid zu drehen, und irgendwann wird man nur noch in ein paar Kinematheken seltene Filme, die nicht digitalisiert wurden, als Kopien bestaunen können.“
Wim Wenders

An der 10. Jubiläumsausgabe des Marathons feiern wir den Stoff, aus dem die Filme sind, und bringen die Rollen aus den Archiven in den Kunstraum Walcheturm, der für vier Tage und Nächte von Ana Judith Haugwitz, Nora de Baan und Van Nutt mit kinetischen Installationen und Projektionen in ein Gesamtkunstwerk des Zelluloids verwandelt wird.

SIDESHOWS & KINDERPROGRAMM

Zwischen den Filmen setzt sich die äthiopische Band “Ethiocolor” um den Tänzer Melaku Belay mit den Afrikafilmen des Schweizer Luftfahrtpioniers Walter Mittelholzer auseinander, der als erster mit einem Wasserflugzeug von Zürich nach Kapstadt flog und das Unternehmen selbst filmte und multimedial vermarktete.

Für das jugendliche Publikum stehen am Samstagnachmittag Animationsfilme der Pioniere Winsor McCay und Max Fleischer auf dem Programm und am Sonntagnachmittag Komödien des nie genug gelobten Buster Keaton sowie zwei Folgen der Our-Gang-Reihe, der beliebtesten Kinderserie der 1920er Jahre.

TICKETS & PREISE

Tageskarte: CHF 30 / 20
Nach Mitternacht: CHF 20 / 10
Kinderprogramm: CHF 20 / 10
Festivalpass: CHF 75 / 50

***

DONNERSTAG, 5. DEZEMBER 2019

18:00
“La souriante Madame Beudet” (FR 1922, 38 min, 16mm), Germaine Dulac

Sabina Leone
Sabina Leone (voc, dr, perc)

19:00
“L’invitation au voyage” (FR 1927, 39 min, 16mm), Germaine Dulac

Bergerausch
Bettina Klöti (voc, elec) & Vera Kappeler (p)

20:00
“La coquille et le clergyman” (FR 1927, 40 min, 16mm), Germaine Dulac

Niton
El Toxique (elec), Luca Xelius Martegnani (elec) & Zeno Gabaglio (vcl, elec)

20:45 SIDESHOW BY FENDIKA

21:15
“Crossing the Great Sagrada” (UK 1924, 15 min, 16mm), Adrian Brunel
“Architects’ Congress” (UK 1933, 29 min, 16mm), Laszlo Moholy-Nagy

Buchanan-Visser
Steve Buchanan (as, g, elec) & Jeroen Visser (elec)

22:30
“La pieuvre” (FR 1925, 10 min, 16mm), Jean Painlevé
“Un chien andalou” (FR 1928, 19 min, 16mm), Luis Buñuel
“The New Architecture and the London Zoo” (US/UK 1932, 16 min, 16mm), Laszlo Moholy-Nagy

der große bär
Yumi Ito (voc), Saadet Türköz (voc), Hans Koch (bcl, ss), Manuel Mengis (tr), Roberto Domeniconi (p), Flo Stoffner (g), Flo Götte (b) & Paul Lovens (dr)

23:15 SIDESHOW BY FENDIKA

23:45
“Lichtspiel Opus I, II, III & IV” (DE 1921-23, 23 min, 16mm), Walter Ruttmann
“Rhythmus 21” (DE 1921, 3 min, 16mm), Hans Richter
“Rhythmus 23” (DE 1923, 5 min, 16mm), Hans Richter
“Diagonal-Symphonie” (DE 1924, 7 min, 16mm), Viking Eggeling

Iokoi & Bit-Tuner
Mara Miccichè (voc, elec) & Marcel Gschwend (elec)

1:00
“Lichtspiel Schwarz Weiss Grau” (DE 1923, 6 min, 16mm), László Moholy-Nagy
“Jeux des reflets et de la vitesse” (FR 1925, 6 min, 16mm), Henri Chomette
“Cinq minutes de cinéma pur” (FR 1926, 5 min, 16mm), Henri Chomette
“Kipho” (DE 1925, 6 min, 16mm), Guido Seeber
“La marche des machines” (FR 1928, 9 min, 16mm), Eugène Deslaw

Rea Dubach & Dadaglobal
Rea Dubach (voc, elec) & David Da Da Daniel (elec)

2:00
“Meshes of the Afternoon” (US 1943, 14 min, 16mm), Maya Deren
“At Land” (US 1944, 14 min, 16mm), Maya Deren
“Ritual in Transfigured Time” (US 1946, 14 min, 16mm), Maya Deren

AN MOKU & Joel Gilardini
Dominik Grenzler (elec) & Joel Gilardini (g)

***

FREITAG, 6. DEZEMBER 2019

18:00
“Hintertreppe” (DE 1921, 48 min, 16mm), Leopold Jessner & Paul Leni

tangent + mek
Marina Tantanozi (fl), Anouck Genthon (vl) & Anna-Kaisa Meklin (vga)

19:15
“Die Strasse” (DE 1923, 72 min, 16mm), Karl Grune

60°Alliance
Gaudenz Niggli (elec), Felix Niggli (tr, elec) & Lucas Niggli (dr)

20:30 SIDESHOW BY FENDIKA

21:00
“The Enchanted Drawing” (US 1900, 2 min, 16mm), J. Stuart Blackton
“Humorous Phases of Funny Faces” (US 1906, 4 min, 16mm), J. Stuart Blackton
“Lightning Sketches” (US 1907, 2 min, 16mm), J. Stuart Blackton
“The Haunted Hotel” (US 1908, 7 min, 16mm), J. Stuart Blackton
“Fantasmagorie” (FR 1908, 3 min, 16mm), Émile Cohl
“The Dentures” (FR 1909, 5 min, 16mm), Émile Cohl
“Les Joyeux Microbes” (FR 1909, 6 min, 16mm), Émile Cohl
“The Hasher’s Delirium” (FR 1910, 5 min, 16mm), Émile Cohl
“The Neo Impressionist Painter” (FR 1910, 6 min, 16mm), Émile Cohl

Stoffner-Edwards-Lovens
Flo Stoffner (g), John Edwards (b) & Paul Lovens (dr)

22:15
“Wax Experiments” (DE 1927, 11 min, 16mm), Oskar Fischinger
“Staffs – Orgelstäbe” (DE 1927, 7 min, 16mm), Oskar Fischinger
“Tusalava” (UK 1929, 11 min, 16mm), Len Lye

Emmeluth’s Amoeba
Signe Emmeluth (as), Karl Bjorå (g), Christian Balvig (p) & Ole Mofjell (dr)

22:45 SIDESHOW BY FENDIKA

23:15
“Von Morgens bis Mitternachts” (DE 1920, 72 min, 16mm), Karlheinz Martin

Steamboat Switzerland
Marino Pliakas (b), Dominik Blum (hamm, voc) & Lucas Niggli (dr)

1:00
“Tagebuch einer Verlorenen” (DE 1929, 109 min, 16mm), G.W. Pabst

Dubach-Kobi-Wegmann-Prisi
Rea Dubach (voc, elec), Christian Kobi (ss, ts), Judith Wegmann (p) & Hannes Prisi (dr)

3:00
“Asphalt” (DE 1929, 90 min, 16mm), Joe May

Termiten
Sara Käser (vcl), Elio Amberg (ts), Jan Schlegel (b) & David Meier (dr)

***

SAMSTAG, 7. DEZEMBER 2019

14 Uhr
“Little Nemo” (US 1911, 12 min, 16mm), Winsor McCay
“How a Mosquito Operates” (US 1912, 6 min, 16mm), Winsor McCay
“Gertie” (US 1914, 14 min, 16mm), Winsor McCay
“The Centaurs” (US 1921, 2 min, 16mm), Winsor McCay
Joke Lanz & Beat Keller
Joke Lanz (turntables) & Beat Keller (g)

15 Uhr
“The Tantalizing Fly” (US 1919, 4 min, 16mm), Max Fleischer
“Fishing” (US 1921, 8 min, 16mm), Max Fleischer
“Invisible Ink” (US 1921, 7 min, 16mm), Max Fleischer
“Bubbles” (US 1922, 5 min, 16mm), Max Fleischer
“Jumping Beans” (US 1922, 11 min, 16mm), Max Fleischer

Bachmann-Kunckler-de Sousa
Ursula Bachmann (voc, p), Stefanie Kunckler (b) & Márcio de Sousa (dr)

15:45 SIDESHOW FENDIKA

***

18:00
“Opium” (DE 1919, 97 min, 16mm), Robert Reinert

Türköz-Gartmayer-Edwards-Friedli
Saadet Türköz (voc), Susanna Gartmayer (bcl), John Edwards (b) & Lionel Friedli (dr)

20:00
“Schatten. Eine nächtliche Halluzination” (DE 1923, 85 min, 16mm), Arthur Robison

Koch-dieb13-Sartorius
Koch Hans (bcl, as), dieb13 (turntables) & Julian Sartorius (dr, perc)

21:30 SIDESHOW FENDIKA

22:00
“The Flying House” (US 1921, 12 min, 16mm), Winsor McCay
“The Pet” (US 1921, 12 min, 16mm), Winsor McCay
“Bug Vaudeville” (US 1921, 12 min, 16mm), Winsor McCay

NADJA ZELA
Nadja Zela (voc, g) & Michel Lehner (b, elec)

23:00
“Der letzte Mann” (DE 1924, 90 min, 16mm), F.W. Murnau

Бром / Brom
Dmitry Lapshin (b), Anton Ponomarev (as), Bogdan Ivlev (dr) & Felix Mikensky (elec)

0:30 SIDESHOW FENDIKA

1:00
“Orlacs Hände” (DE 1924, 98 min, 16mm), Robert Wiene

Eko Nori & Fleur
Catia Lanfranchi (voc, elec) & Flo Götte (b)

3:00
“The Man who Laughs” (US 1928, 110 min, 16mm), Paul Leni

Convulsif
Jamasp Jhabvala (vl, elec), Christian Müller (bcl, elec), Loïc Grobéty (b) & Maxime Hänsenberger (dr)

***

SONNTAG, 8. DEZEMBER 2019

14 Uhr
“Neighbours” (US 1920, 18 min, 16mm), Edward F. Cline & Buster Keaton
“The Playhouse” (US 1921, 22 min, 16mm), Buster Keaton & Edward F. Cline

andrej-zhang-zimmermann
Hyazintha Andrej (vcl), Kay Zhang (sax) & Tizia Zimmermann (acc)

15 Uhr
“Giants Vs. Yanks – Our Gang Nr. 12” (US 1923, 14 min, 16mm), Hal Roach
“No Noise – Our Gang Nr. 20” (US 1923, 26 min, 16mm), Hal Roach

Tim & Puma Mimi
Michiko Hanawa (voc, elec) & Christian Fischer (elec)

15:45 SIDESHOW FENDIKA

***

18:00
“Der Mann mit der Kamera” (RU 1929, 68 min, 16mm), Dziga Vertov

Julia Schiwowa & Alexander Schiwow
Julia Schiwowa (voc) & Alexander Schiwow (p)

19:30
“Impressionen vom alten Marseiller Hafen” (FR 1929, 9 min, 16mm), László Moholy-Nagy
“Berliner Stilleben” (DE 1931, 9 min, 16mm), László Moholy-Nagy
“Grossstadtzigeuner” (DE 1932, 11 min, 16mm), László Moholy-Nagy

One Sentence. Supervisor
Donald (g, voc), Chento (g), His D’Oud ness (oud, synth), Koni (b) & Sandra (dr)

20:00 SIDESHOW FENDIKA

20:30
“Berlin. Die Sinfonie der Grossstadt” (DE 1927, 62 min, 16mm), Walter Ruttmann

Orchestre Tout Puissant Marcel Duchamp
Aby Vulliamy (voc), Florian Saini (trb), George Murray (trb), Joanna Burke (vl), Liz Moscarola (vl), Naomi Mabanda (vc), Maël Salètes (g), Titi (g), Seth Bennett (b), Vincent Bertholet (b), Aïda Diop (mar), Anne Cardinaud (mar), Wilf Plum (dr) & Guillaume Lantonnet (perc)

21:30 SIDESHOW FENDIKA

22:00
“Interior N.Y. subway, 14th St. to 42nd St.” (US 1905, 6 min, 16mm), American Mutoscope and Biograph Company
“Rennsymphonie” (DE 1929, 7 min, 16mm), Hans Richter
“Sur les bords de la caméra” (BE 1932, 10 min, 16mm), Henri Storck

Bernd Schurer
Bernd Schurer (elec)

23:00
“If We Lived on the Moon” (US 1920, 3 min, 16mm), Bray Studios
“Hello, Mars!” (US 1920, 7 min, 16mm), Bray Studios
“The Einstein Theory of Relativity” (US 1923, 20 min, 16mm), Max Fleischer

Gischt
Ursula Winterauer (elec)

0:00
“Frau im Mond” (DE 1929, 169 min, 16mm), Fritz Lang

Billy Roisz, dieb13 & Susanna Gartmayer
Billy Roisz (elec), dieb13 (turntables) & Susanna Gartmayer (bcl)

***

Der Marathon des Zelluloids wird unterstützt von der Fachstelle Kultur Kanton Zürich, von Stadt Zürich Kultur und vom Migros Kulturprozent.

https://www.facebook.com/events/396548161046930/

For this debut in Arkaoda’s bar room, “Are You Listening?” welcomes three experimental performances by Joke Lanz, Bernd Schurer and Novo Line.
Laura Not, curator of the evening, will take care of the DJ decks in between and after the concerts. Sit back and let sound be your interlocutor.

JOKE LANZ

Turntablist Joke Lanz creates autonomous sound-cells that melt into a language free of any function. He combines ritual reductionism with anarchistic playfulness, atmospheric soundscapes with cut-up noise and physicalness with unpredictability. Massive scratches, walls of sound, grooves, loops, noises and voice modulations!

He collaborated with: Shelley Hirsch, Christian Marclay, Olaf Rupp, Ken Vandermark, Lasse Marhaug, Jorge Sanchez-Chiong, Strotter Inst, Christian Weber, Charlotte Hug, Audrey Chen, Ute Wassermann, Peter Kowald, DJ Olive, Sophie Agnel, dieb13, eRikM, Martin Tétreault, Eklekto Ensemble, Alexandre Babel, Christian Wolfarth, Jonas Kocher, Mat Pogo, Kazuhisa Uchihashi, Vienna Radio Symphony Orchestra, just to name a few.

Best known for his international acclaimed Noise project ‘Sudden Infant’, Joke Lanz is presenting his work since more than 25 years all over the world. Born in Switzerland and currently operating out of Berlin, Joke Lanz is one of the most prolific and profound artists working in the border zones where performance and body art meet Improvisation and Noise.

www.suddeninfant.com

BERND SCHURER

Swiss-born german electronic music composer and sound artist Bernd Schurer investigates human perception of sound through a multitude of auditory perspectives, computational- and phenomenological methods. Based on foundations of the number as a common denominator of mathematics, sound, space and time, he explores extended techniques of perceptional possibilities via the means of digitally created sound-pieces and applied psychoacoustics.

In his recent work “debris (redux)”, elements of live-coding combine with pre-synthesized sound materials to create a dramatic sound-study that deals with the synchronisation and self-organisation of periodic processes, massive granular re-synthesis and some recurrent neural network experiments on raw audio (the original piece is from 1996).
He extensively exhibited and presented electro-acoustic works internationally on various scales, from micro-galleries to the Venice Biennial.

http://domizil.ch
http://heterophenomenological.net
https://soundcloud.com/schurer

NOVO LINE (JACK WOLFSKIN FM)

Jack Wolfskin FM is an Adventurer and Explorer, investigating the MIDI wilderness alone for months, uncovering the archaic MIDI preserved in Cambrian Limestone rock formations and 1980’s tech. His discoveries are often repurposed for danceable use by Novo Line, but on rare occasions he presents his findings at international noise conferences. sources missing.
https://www.youtube.com/watch?v=aL_6r3OTcNo

LAURA NOT

Laura Not is an artist and sound-collagist. She hosts “(x)=musik”, a monthly thematic radio show on Lyl Radio, and curates an eclectic guest selection for “Sounds Unsaid” on dublab.de.
Like in a collage made of unusually combined materials, her dj sets are the space in which sounds link together beyond the different stories they tell.

http://soundcloud.com/lauranot
http://lyl.live/show/xmusik
http://dublab.de/shows/sounds-unsaid

https://soundcloud.com/schurer/chroma1_mirrors