heterophenomenological

“Die Brett ist das Kind der Säge”

schurer suprematist hoover

Schurer’s composition “residue” is part of Yves Netzhammer‘s contribution to the 2nd Kyiv Biennial 2015, Ukraine, “The School of Kyiv”, curated by Hedwig Saxenhuber and Georg Schöllhammer, as a spatial soundtrack.

More information soon.

 “The School of Kyiv”

Kyiv Biennial 2015

08.09. – 01.11.15

—

GRENZBOCK, Documentary, 80 min (Teaser)

For the last time, Hubertus Meckelmann has the horn sound for a beating-hunt in the wild. The heart of the former parade ground is soon to be off-limits for hunting. For the territories around it, this is an imposition, since the carefully controlled populations of red deer, fallow deer and boar will be completely disrupted.

The return of the wolf cannot alter this, and most hunters in Brandenburg consider it unwelcome there, anyway.
GRENZBOCK accompanies three hunters through their forests and reveals in long, calm shots the worldviews beneath hunter-parlance and loden coats.

http://hofer-filmtage.com/en/festival-2015/

https://www.facebook.com/Monopolkino/

http://hendrikloebbert.tumblr.com

Produziert von Wüste Film West, zusammen mit ARTE und RBB, gefördert vom Medienboard Berlin Brandenburg und der DEFA-Stiftung

Buch/Regie: Hendrik Löbbert, Kamera: Hajo Schomerus, Schnitt: Anja Siemens, Musik: Bernd Schurer, Ton: Jörg Kidrowski/Till Röllinghoff, Produktionsleitung: Eva-Maria Weerts, Produzentin: Kristina Löbbert